|
The optical diagram for the 28-300mm f/3.5-6.3 Di VC PZD lens showing the positions of the exotic elements. (Source: Tamron.)These specialised glass elements help to reduce the size and weight of the lens. They also provide better correction for chromatic...
|
|
|
Tamron adds an optical stabiliser to its 28-300mm superzoom extending the useability of its telephoto focal lengths especially with an ‘APS-C' format D-SLR. Report by Paul BurrowsWhen it comes to image stabilisation, the D-SLR world is now divided into tw...
While a focal range of 28-300mm is often considered to be general purpose, the reality is that Tamron's VC zoom is probably more of a specialist tool… either for travel photography or, as just noted, for wildlife or sports shooting on a budget or when car...
|
|
EISA.eu Updated: 2014-12-21 08:01:15
|
The Tamron AF 28-300mm f/3.5-6.3 XR Di VC LD acts like a much faster lens than it appears to be at first sight. The Vibration Compensation system enables use of slower-than-usual shutter speeds - it’s a joy being able to shoot pictures handheld that a...
|
|
|
All in all, the Tamron AF 28-300mm XR Di VC LD Macro zoom is a very good lens with a feature set that is currently unrivaled. I think anyone who takes some time to familiarize themselves with this lens will end up getting consistently fine shots with i...
|
|
whatdigitalcamera.com Updated: 2014-12-21 08:01:15
|
Tamron’s first lens with built in image stabilisation is this 28-300mm Di lens, suitable for both full frame and APS-C sensors. The lens incorporates a new mechanism, developed by Tamron, known as Vibration Compensation (VC) using, a...
Size, VC control, Convenience...
Average sharpness, Some fringing...
Considering the stretch of the zoom, the Tamron 28-300mm puts in a satisfactory optical performance. It may not be as good as a shorter-ranged zoom, but compromises are always accepted for convenience. Where the lens scores is its use of the VC contro...
|
|
|
Aimed at professional studio and landscape photographers, the full-frame 36-Mpix D800E with its modified AA filter effectively increasing resolution over the standard D800 model is the closest 35mm full-frame camera yet to rival larger formats in renderin...
|
|
|
This is the third part in the series of our lens recommendations for the Nikon D7100 where we've analyzed nearly 46 Nikon and third-party telephoto prime and zoom models to assess their optical quality. Read onto find out which of these lenses are the bes...
|
|
|
We've tested the new 24-Mpix Nikon D3300 with more than 140 Nikkor and third-party prime and zoom models to assess image quality. Read onto find out which of these lenses have the best image quality when paired with the new camera.Like rivals Nikon's cons...
|
|
|
We've now had the opportunity to assess the entry-level 24-Mpix Nikon D3200 with a wide range of lenses. We've analyzed a total of over 140 Nikkor and third-party prime and zoom models to assess image quality, and to discover which of those models perform...
|
|
|
Following on from the lens recommendations for the earlier full-frame Nikon D600, we've now had the opportunity to assess a wide range lenses with that model's replacement, the 24-Mpix D610. We've analyzed a total of 95 Nikkor and third-party prime and zo...
|
|
|
Following our recommendations for the flagship Sony SLT-A99, we've had the opportunity to assess the firm's semi-professional 24-Mpix DT (APS-C) format model - the SLT-A77 - with a sizeable collection of Sony and third-party prime and zoom models to asses...
|
|
|
Following our recommendations for the flagship Sony SLT-A99, we've had the opportunity to assess the firm's semi-professional 24-Mpix DT (APS-C) format model - the SLT-A77 - with a sizeable collection of Sony and third-party prime and zoom models to asses...
|
|